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Was conrad veidt gay

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A portion of a landmark German film, which was banned and later thought to have been destroyed by the Nazis because of its plea for tolerance of homosexuals, has been restored for presentation on public television. He is later sentenced to prison under a German statute--still on the books in Germany--which forbids certain sex acts between men. The character eventually commits suicide. Sunday in conjunction with national Gay Pride Week. Chancey said he hopes to make the new version available to other public television stations around the country later. Chancey learned of the existence of the film fragment from Vito Russo, a recognized authority on the history of homosexuals in films.
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The Tragic Lessons of Cinema’s First Gay Love Story

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Conrad Veidt - Wikipedia

Caligari , and The Man Who Laughs After a successful career in German silent films, where he was one of the best-paid stars of UFA , he and his new Jewish wife Ilona Prager were forced to leave Germany in after the Nazis came to power. The couple settled in Britain, where he took British citizenship in He appeared in many British films, including The Thief of Bagdad , before emigrating to the United States around , which led to his being cast as Major Strasser in Casablanca
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Even if you don't recognize his name, it's very likely you've encountered someone based on one of his characters. He followed this with a successful career playing tortured and demonic characters in the silents and later, with the advent of talkies, romantic heroes, sinister playboys and Nazi officers despite being a staunch anti-Nazi in real life. In addition to the aforementioned Cesare, he inspired the appearance of The Joker based on his mutilated Slasher Smile in The Man Who Laughs , epitomized the stereotypical Nazi Nobleman , and played the very first Grand Vizier Jafar on whom most subsequent evil "Arabian Nights" Days wizards were based. Also, he was a certifiable badass in real life and spent his entire adult life campaigning for various human rights causes.
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There is only one hopeful scene in "Different from the Others," a silent picture from that is widely considered the first feature film about gay love. In it, a gaunt, handsome man plays the piano in his Berlin drawing room. Then an unlikely event sets him on a new course: a young music student has come calling. Paul responds by offering Kurt his great open palm. Their alliance, a perfect meeting of passion and pedagogy, seems indivisibly strong—but, by the end of the film, we have learned that it is otherwise, owing to the self-hatred and cruelty that homosexual love can inspire, even in Weimar Berlin.
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    Zuzahn1 year ago

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